New Dawn – World's Most Unusual Magazine

Tag: sphinx

  • Mr West, the Sphinx & Gurdjieff: “Only a gentleman fights for lost causes”

    Mr West, the Sphinx & Gurdjieff: “Only a gentleman fights for lost causes”

    From New Dawn Special Issue Vol 8 No 6 (Dec 2014)

    It has been thirty-five years since the first publication of John Anthony West’s revolutionary book Serpent in the Sky: The High Wisdom of Ancient Egypt. It was a courageous challenge to the academic blindness of mainstream Egyptology. Much has transpired since then and although the mainstream still desperately clings to its outdated attitudes toward the wisdom of the ancients, the knowledge that the real truth of our history and its origins have been denied to us is gaining a much greater acceptance.

    In this exclusive interview for New Dawn magazine [conducted in 2014], Darren Carville spoke to John about where he is currently at and what motivates him at the age of 82 to continue taking on the Establishment [Editor’s note: John Anthony West died in 2018]. The following are some highlights from that interview.

    DARREN CARVILLE (DC): John, Serpent in the Sky was originally published back in 1979 when the Internet was just a pipe dream. It’s amazing how many of these ideas are so widely disseminated online now. Just one example is this curious image of the ‘Sitting Scribe’ [see the front cover of this magazine] that in your book was originally in black & white, but now there are dozens of vivid colour copies of it online from every angle as people visiting Egypt take digital shots and upload the images themselves.

    JOHN ANTHONY WEST (JAW): Yes that’s true, and that particular image is also a great example of Egyptian technology going backwards, because those inlaid eyes, they’re made of four different kinds of quartz crystal and as R.A. Schwaller de Lubicz points out, not only is quartz a very difficult stone to work with, but in order to make a realistic eye that looks back at you, means having to understand the refractive and reflective indexes of the eye. So this is a very advanced knowledge of anatomy. By the New Kingdom, a thousand years later, they had lost the ability to be able do it anymore.

    DC: As an artist, even to paint something like that, is a very, very difficult thing to do.

    JAW: In terms of high art, once you’ve seen these Old Kingdom statues with the inlaid eyes, all other sculpture, including Michelangelo and Donatello and all the others, fade in comparison. They look blind, they don’t see, that’s the big difference.

    DC: You can read a saying that the ‘eyes are the window to the soul’, and here they have produced art where you can actually sense that. On the topic of lost knowledge, my son recently showed me a book that had a chart of all the different Egyptian crowns and headgear. It’s something that’s never spoken about is it? That famous picture of Yul Brynner in ‘Moses and the Ten Commandments’. He has that crown on his head that looks like a giant bowling pin, but they never actually found any of these hats in Egypt?

    JAW: No, that’s right. We have so much stuff out of Egypt now, that if it really was a crown, you’d have some instance of it and there’s not a sausage, they’ve never found any physical manifestations of them. Nobody up till now has been able to satisfactorily explain them. So this has always been a big mystery. Intuitively, I reckon that since it’s on their heads, which is the seat of consciousness, that in some way or another, symbolically it represents the consciousness of that particular principle. But that’s a ballpark observation, it doesn’t mean I can explain why one crown has a ram’s horn and the other kind of crown has a sheep’s horn. Or why one has a solar disc and the other one has a lunar disc. Well, okay, that’s sort of obvious. One is solar, and one is the lunar principle. But why this combination, I don’t know.

    DC: John it’s been over 20 years since your award-winning bombshell documentary about the Sphinx [‘The Mystery of the Sphinx’] with its ancient rainfall erosion and hence its age having to be thousands of years older than the ‘official’ date. The archaeologists produced their own documentary supposedly ‘debunking’ your claims, but it seems they were too late to sway the general public, and nothing has really been the same since has it?

    JAW: Right, well I love it. I have a certain advantage over most of my colleagues. Graham Hancock is a very good journalist but he’s not a satirist. I’m a scholar by default, but I see myself as more of a writer than a scholar. When we get attacked I have the tools to deal with them, so the harder they come at me, the more I enjoy it, particularly now we’ve got the Internet. Because before that you couldn’t retaliate.

    DC: What’s been your best achievment so far?

    JAW: People often ask me, “What do you think your legacy will be?” Well, I know this Sphinx theory – whatever the fate of symbolism – it isn’t going to go away and it’s all there. It’s not going to be long before the Establishment is obliged to accept it or get marginalised themselves. It’s really a lot like Galileo’s story actually, because I didn’t invent this Sphinx theory, I got it from a single line from Schwaller [de Lubicz] and he just glossed over it. He didn’t see it himself. Yet, it’s the key to the whole lost civilisation hypothesis… it’s quite clear from the way he talks about it. In English the book is called Sacred Science: The King of the Pharaonic Theocracy. That’s going to be around forever. Nobody’s going to get rid of that.

    Then it was Robert Schoch, my colleague, who stuck his tenured neck out to defend the whole water erosion hypothesis and it was his triple Ph.D in Geology, Geophysics and Palaeontology that did it. Nobody would have given me the time of day, even though I’d actually done my research pretty well. Schoch is very cautious and quite respectable – less so than he used to be. He’s an interesting guy, and very intelligent.

    The other thing I would like to be remembered for is being the one who drove the final nail into the coffin of Darwinian evolution. Robert Schoch and I have a book planned called ‘Darwin Debunked, Darwin De-clawed, Darwin Dethroned’, sub-titled, ‘A Scientist and a Scholar Deconstruct the Cargo Cult of the West’. We want to write the definitive anti-Darwin book, and it’s funny because there are lots of so called ‘definitive’ books that never managed to do it. Maybe the time wasn’t right or they’ve just not been written in a way to fire the public imagination. We think we can do that between us.

    DC: It may well be the right time because even five years ago if you tried to explain to most people that the world was run by a few private corporations they just laughed. But now because of what’s happening, and how it affects people personally, the attitude is changing and I think all of that global control couldn’t exist without this Darwinist world view – that there’s no greater purpose to living than being a consumer.

    JAW: Yes, it’s the foundation for it, if not explicitly, implicitly. It supports the whole rotten structure.

    DC: Is there anything else you’re currently working on that’s in the pipeline John?

    JAW: At the moment Schoch and I are working on another book called ‘Dancing Down the Bridge of Sirah’. It comes from Sufi literature and it’s described as this bridge that’s narrow as the razor’s edge, and on one side is the Chasm of Credulity and on the other is the Abyss of Scepticism. So the trick is to get down that bridge and this is not so easy. Schoch and I intend to do a really comprehensive account basically of the Sphinx theory – not going into the Symbolist realm so much – and now that we’ve got Göbekli Tepe, we’ve got a smoking gun [for more on Göbekli Tepe, see Robert Schoch’s articles in New Dawn Special Issue Vol.7 No.1 & New Dawn 122]. So not too long from now it’s going to be impossible for these jackasses to keep on insisting their old paradigm is right, and they will go under. The subtitle is ‘A Scholar and a Scientist Fend Off the Air-brushed Unicorns and Take on the Paradigm Police’. That’s an image coined by my composer step-son. He was once talking about the covers of New Age music and he complained that, “It’s all a bunch of air-brushed unicorns.” That’s a perfect totem for the woo-woo segment of the New Age movement. The paradigm police are of course the debunkers.

    The other thing we are trying to do is a ‘Magical Egypt 2.0’ documentary but we’ve got to figure out how we intend to make money from it. We didn’t make a bean out of all the work that went into the first ‘Magical Egypt’ series because people just pirated it in the end.

    [alert type=”info” dismiss=”no”]If you appreciate this article, please consider a subscription to New Dawn magazine.[/alert]

    DC: Great, we will certainly be looking forward to seeing this! One of the things I love most about Serpent in the Sky and the ‘Magical Egypt’ series is that you layout all these ideas and encourage people to follow them up and verify for themselves. I find they are something I keep coming back to, and each time it sparks me off into new research. This seems to be the way of the Egyptian Sacred Science – it makes you work for the understanding, you can’t just get it through a bunch of memorised facts in the way of academic learning. As you mentioned with Gurdjieff’s book Beelzebub’s Tales to his Grandson – it’s like Egypt makes you work for it and there is no start or finish, it’s about how far you can penetrate into the enigma.

    JAW: Yeah, sure.

    DC: A good example is the division of the head at the crown of the skull in the temple reliefs. Clearly it is a clue inviting people to have a look at this specific portion of the head as there is a deeper message hinted at. Schwaller and his team do all the research, look at the anatomy of the brain, look at all the esoteric traditions to do with that part of the head etc. He has to do a lot of research to be able to get to the truth or the understanding of what that is actually revealing. He had to work for it.

    JAW: It is impenetrable to 99% of people, even people who are highly literate and highly philosophical. There’s just something about the density of his thinking that people can’t or won’t go to the trouble to penetrate. For me it was not easy, and some of the things I didn’t have the maths to be able to follow him in certain instances. But otherwise I had a good grounding in Gurdjieff and a lot of esoteric studies so I could read it without too much trouble. It’s certainly not for everyone so it’s good to have something like Serpent in the Sky to help you open it up.

    DC: I really wanted to ask you about that Gurdjieff connection John, because I heard you on another interview say that if it hadn’t been for your understanding and experience with the Gurdjieff work, you would have never twigged to what Schwaller was on about in the first place.

    JAW: Well, I would never have even found him, for that matter.

    DC: Right, and I do wonder John – in what you’ve just said about the nature of Schwaller’s work and the level of his mind – do you think that’s really a factor of this whole idea that one’s level of ‘being’ determines what level of higher knowledge one can actually gain access to?

    JAW: That’s a good question. Well yes and no. Working on being – you’re thoroughly familiar with the Gurdjieff work?

    DC: Yes.

    JAW: Well, I would say in terms of levels of being, it’s impenetrable unless you’ve acquired what Gurdjieff calls the ‘Magnetic Centre’. That’s what opens you – it makes these kinds of things accessible. It’s one of the things that a lot of people don’t understand who haven’t been involved in this kind of work themselves, and are mostly working with their heads. They just can’t get it at all. As my Sensi used to say, “Don’t talk about moonbeams to the blind or about music to the deaf, and especially do not talk about sex to eunuchs – they will just get angry!” So once you understand that and stop getting frustrated by, let’s call it, the intolerable obduracy of the quackademic, because it looks as though it’s deliberate, but it isn’t. They just don’t get it.

    However, when they call their terrible disability ‘reason’ and take over the palace, the empire is doomed. This is what you’re dealing with. They’re basically wildly uncreative people. I mean, Schwaller appeals not necessarily to the intellectuals, although you have to be quite intellectual in order to penetrate it. You need more than intellect to be able to think in a certain way. The people who get it instantly, or at least they get the basic premise, are the artists and the architects, and sometimes the engineers, oddly enough. Rarely the hard-nosed scientist, never the sceptics of course, they’re totally out of it.

    So it’s going back to the magnetic centre, and the magnetic centre automatically means that you’ve done some sort of work on your own level of being. Some sort, even if it’s not been formal, otherwise you don’t have that magnetic centre that gets you to Gurdjieff and Schwaller in the first place.

    DC: Yes, and in relation to this battle with the academics, Gurdjieff also pointed out very clearly that this kind of ‘work’ is not for everyone. A person has to be genuinely seeking for the truth in the first place. Reading your argument with the Egyptologists in your open letter to Archaeology magazine [see www.jawest.net/anupadeshi.html], I get the sense that you have these different compartments at work in your life, because at one level you deal with the public, you do interviews, respond to all sorts of criticisms and arguments, but obviously at a deeper level you know that the issue for the human race’s future is a much deeper thing. It’s not really just about Egypt is it? Because no-one with any kind of awe and wonder about how difficult it is to make anything can ever look at the Darwinist idea that these chemicals get together accidentally and produce life. It’s a dead, non-resonating kind of thing. You could never swallow it. Yet millions do, quite happily, 24/7.

    JAW: More than millions. I mean, it’s the belief system that’s at the core of all science and all education.

    DC: Yes, I do wonder how long it’s actually going to take to replace that world view with something better. I did notice with your documentary series, ‘Magical Egypt’, looking at any of those episodes, the number of hits they have had, it’s in the hundreds of thousands. It’s quite extraordinary the popularity your work has gained since Serpent in the Sky – the message is getting out there. Of course the other side of the coin is that with the Internet all sorts of ideas have become popular and their popularity makes them seem like fact. For example, this whole Anunnaki/aliens making human slaves mine gold kind of thing – you don’t go for any of that do you John?

    JAW: No, and in our book ‘Dancing Down the Bridge of Sirah’ there will be a section in there called Zecharia and his Sitchininnies. Some of the other stuff, some of the ‘Airbrushed Unicorn’ stuff, is fairly harmless, but his work is seriously malignant.

    DC: It’s even turning up in romantic novels now.

    JAW: I always left the door open to Sitchin because his work was based upon his own translations of the Sumerian texts. No Assyriologist would look at his stuff. That’s not Sitchin’s fault. So I thought he could well be right about certain things. Who was I to argue those points? However, recently, a really solid biblical scholar who doesn’t have an axe to grind called Michael Heiser put up a website called ‘Sitchin is Wrong’ [www.sitchiniswrong.com]. This guy really knows what he’s talking about and goes through Sitchin line by line, and none of it tallies with the dictionaries created by the Sumerian scribes themselves. As far as I’m concerned, it’s completely false.

    DC: You have often given the analogy that where we are in the Kali Yuga cycle is very much like being in the ‘Winter’ stage of the four Seasons.

    JAW: Yes, that’s right. However, the big problem with these very long cycles is that you don’t have a Spring Equinox to set your clock by. You just can’t really know exactly. There’s a lot of very informed, interesting work done on the Yuga cycle, but they all have different ideas of where it starts and how it starts, and unfortunately there’s nothing scholarly or scientific that you can actually depend upon that is more plausible or less plausible analyses. There’s simply not enough history, it’s too short to tell. I mean real history only goes back about 2,500 years. In other words, history that you can document. It’s really not much more than that. Even the Egyptian history is, half the time, symbolism of some sort or another. There are very few ‘facts’. So we’re talking about cycles, at least precessional cycles, and maybe more than that, we just don’t know. You look around us today and intuition tells me that we’re in the thick of the Kali Yuga and it’s going to get a lot worse before it gets better.

    DC: John, how was it that you originally got involved in the Gurdjieff work?

    JAW: When I look back on my life I see I was psychologically precocious. Not a genius, but at the age of 12 or 13 I actually knew that I was living in a lunatic asylum, that the whole thing was insane, and it was very lonely living back then. Now lots of people sort of understand that. By the time I was 19 I knew what I wanted to do. I wanted to be the little boy who said, ‘The Emperor Has No Clothes!’

    It took another 20 years. I had published a lot of stuff by then, and the scholarship was starting with my The Case for Astrology book. There were also plays, a novel and stories. I was well published but not very well paid for it, and I realised I was now playing out my role as the little boy who said, ‘The Emperor Has No Clothes’. I finally came across the Gurdjieff work when I was living in a thriving artists colony at Ibiza in Spain during the late 50s and early 60s.

    Through a weird series of circumstances – again it’s the magnetic centre at work – one of the guys that I knew gave me a book called The Theory of Celestial Influence by Rodney Collin, a student of Ouspensky. I read it and that really interested me, and my friend, a very good painter, who had been in the Gurdjieff work himself, started feeding me Gurdjieff in very limited doses. He was right on course because I would have said, “Ah, what do I need this stuff for?” So one day he finally said, “Well, okay, here’s Beelzebub’s Tales to His Grandson.” He gives me a little fat book and I take it back and I read the first paragraph which is something to the effect of “Everything you know is completely wrong, and this book will make you understand that you don’t know anything.” I was furious. “Fuck you! who are you to tell me that, what have you ever written?”, but then I calmed down and thought, “Well I’ve had a lot published myself, and and I know how difficult it is to make your audience feel – not even think – but feel what you want them to feel.” Here was this guy, in one paragraph, getting me so angry that I was ready to throw his book against the wall. Suddenly I realised, “Oh… that’s not easy to do!”

    What Gurdjieff was doing, he was obliging me to work. You didn’t know what was true or false or even if he was pulling your leg. Could you follow those paragraphs? Those sentences that are two pages long with a thousand parentheses in the middle… he was forcing you to use your head in a way that you never dreamt of using it before.

    That was my introduction to Gurdjieff and I eventually left Ibiza to move to England to get into the Gurdjieff work, which was really important. Without that I would have spun off the rails long ago. Everything else stopped. Because at a certain point you can’t just read about these ideas anymore, you have to do them, and this is where the problem comes in because it’s not easy to do and it’s not fun.

    DC: The Gurdjieff work, no it isn’t.

    JAW: It’s not like rubbing crystals or hugging trees, it’s hard work. Gurdjieff was almost the only person I’d ever come across who was as contemptuous of all of Western civilisation as I was, but the difference was that he knew how to live in it and I didn’t. So after nine years of living in Ibiza, I finally moved to England to get into the ‘work’.

    What distinguishes Gurdjieff from anybody else is that it’s the ancient doctrine but put into a format designed to be practised in the middle of the lunatic asylum, not isolated from it in some monastery or whatever. It’s how to become sane when everybody around you is crazy, without removing yourself from ordinary life. You can’t practise Schwaller. It’s not a discipline. But Gurdjieff is.

    DC: Yes, I can certainly appreciate that.

    JAW: Without a return to the kind of principles that kept Egypt going, and other ancient cultures going, without this ancient doctrine being understood and taken up, the Church of Progress always wins, or everyone loses one way or another, so it’s very difficult. This is why Egypt is special because there’s so much of it left. You can’t go to China or India or anywhere else and have this thunder of esoteric wisdom coming at you all day long like you can in Egypt.

    Of course there’s a lot of bullshit out there as well, but at least in theory the work is designed for people to practise inside their daily lives. Not that many are doing it and I don’t really know why. On the other hand, if you just extract yourself from the world, it’s like you’re shirking your duty somehow or another. I mean, Tiger Woods’ mistresses don’t matter, and most of that stuff doesn’t matter. But some of it does matter. You watch the Scorpions of Wall Street raping our lives and these disgusting billionaires absolutely destroying the planet. That’s the sort of thing you have to keep on top of, it seems to me.

    Get the issue this article appears in

    DC: As you’ve said, the Egyptians lived their life in preparation for the next life, and of course some people say, “oh, morbid buggers, they’re obsessed with death.” But no, I think, as you’ve written about and as Schwaller pointed out, clearly they knew, unlike the Darwinists, that they were here for a reason. Something had gone to a lot of trouble to put them together, to put this planet together, and I can really relate to that balancing act you’re talking about… Because on the one hand, as far as we know, we only have the one chance to do what we need to do here and move on, and yet at the same time you would not be human to not feel a concern and want to do something to make the situation here better. Especially being that the dice is so loaded – to programme people from the time they are born – that there is no purpose to life except consumerism, that it doesn’t matter if we destroy the planet because it’s a giant chemical accident anyway.

    JAW: Well, you can only do your best. The Gurdjieff work got me understanding things pretty well and Gurdjieff has a lesson for everyone and everyone’s lesson is a bit different. But it was Gurdjieff who taught me – and this is a riff on what he says – that whoever and whatever presses your buttons is your master, and if you let your buttons get pressed, you’re a slave. I didn’t like that, so I worked pretty hard, reasonably successfully, to not get my buttons pressed most of the time. So enough people have to start doing their homework. If somebody asked me, which they probably won’t do, who I think are the most important people of the 20th century? I would put Gurdjieff first and Schwaller second. Certainly the last word has not yet been said about Gurdjieff.

    Anyway, I’m figuring on being here for a while yet. A friend of mine recently had the honour of briefly being the oldest man in the world. He was 110, and he really had his marbles together up until the last year or two. He did research into the paranormal. So if he could get to 110, there’s no reason why I can’t!

    There’s a wonderful author, the Argentinian writer Jorge Luis Borges. He wrote a short story book called Ficciones – magical Cabalistic stuff – and in one of the stories the last line is, “A gentleman only fights for lost causes.” It’s a great line. I don’t necessarily consider myself a gentleman, but it’s hard to do this – it’s hard not to get affected by the sort of stuff that’s happening around us every day.

    Books by John Anthony West – including Serpent in the Sky: The High Wisdom of Ancient Egypt and The Traveler’s Key to Ancient Egypt, as well as The Mystery of the Sphinx DVD, are available direct from John Anthony West’s website at www.jawest.net/books_vids.htm.

    [alert type=”general” dismiss=”no”]This article was published in New Dawn Special Issue Vol 8 No 6.[/alert]

    [alert type=”success” dismiss=”no”]If you appreciate this article, please consider subscribing to help maintain this website.[/alert]

    © New Dawn Magazine and the respective author.
    For our reproduction notice, click here.

  • Searching for the  Dawn & Demise of Ancient Civilisation

    Searching for the Dawn & Demise of Ancient Civilisation

    From New Dawn Special Issue 8 (June 2009)

    When and where did civilisation begin? How far back in time does high culture go? Indeed, what do we mean by such terms as civilisation, or sophisticated and high culture?

    When I was in college, more years ago than I perhaps care to remember, I learned the standard story which still holds sway in many circles: Civilisation and high culture date back to, at most, perhaps five or six thousand years ago. A handy marker for recognising a true civilisation was written language, and it was generally agreed that the earliest true writing could be dated to the late fourth millennium BCE (that is, circa 3500 to 3000 BCE).

    The Sumerians are generally credited with developing writing about 3300 to 3200 BCE, although the earliest Egyptian hieroglyphics may date back to the same period, or even a century or so earlier, and there is also evidence of writing possibly from as far back as 3500 BCE found at Harappa, the Indus Civilisation, in what is now modern Pakistan.1

    But then there are reports of much earlier possible writing from Henan Province, China, dated to 6600 to 6200 BCE, inscribed on tortoise shells.2 I recollect a book I read while still an undergraduate, The Roots of Civilization by Alexander Marshack, which argued that various lines, notches, and “scratchings” on ancient bone artefacts dating to 10,000 BCE and earlier, before the end of the last Ice Age, were in fact symbolic systems, including lunar calendar notations. Maybe our ancestors were not so primitive and stupid after all.

    Maybe defining civilisation and high culture in terms of a written language (or more accurately our knowledge of a recorded language; we can easily miss things in the archaeological record) simply is not a fruitful approach. This is the conclusion I have come to while pursuing my own research.

    Re-Dating the Great Sphinx of Egypt

    I first came to the problem of the origin of civilisation through my studies of the Great Sphinx of Giza, Egypt. Combining a Ph.D. in geology and geophysics from Yale University (1983) with a lifelong enthusiasm for ancient cultures, on my first trip to Egypt in 1990 I was primed to take a careful look at the Sphinx.

    As I have recounted elsewhere,3 my colleague and friend John Anthony West had suggested to me various silly notions that the Great Sphinx might be older than the standard Egyptological attribution of circa 2500 BCE. I figured that through a careful analysis of the geology, I could show the error in such thinking. Surely all those professional Egyptologists could not be wrong. It turns out they were.

    Based on my geological and seismic analyses, utilising the weathering and erosion patterns correlated with the palaeoclimatology and subsurface features,4 I concluded that the oldest portions of the Great Sphinx date back to at least the period of 7000 BCE to 5000 BCE, and perhaps back to 9000 BCE or earlier. To oversimplify a bit, the core body of the Great Sphinx shows features that place it well back before the onset of the current arid regime (the Giza Plateau is on the edge of the Sahara Desert) some 5,000 years ago.

    Such a conclusion has deep implications, suggesting that high culture and civilisation dates back much earlier than previously believed. I have been told on more than one occasion that my conclusions cannot be true because if they are, then “history must be rewritten.” Certainly, we cannot have that, can we? Vested interests run high, and I have been attacked from many sides, both by orthodox Egyptologists and historians, and by various people not as closely associated with mainstream academia.

    Through it all over the last two decades, I have looked at the alternative theories suggested to explain the data, and I continue to maintain that the evidence clearly points to the origins of the Great Sphinx being much older than 2500 BCE. Indeed, the attacks and criticisms, forcing me to carefully scrutinise and enlarge my dataset, have served only to reaffirm my conclusions.

    The Sphinx Under Water, or Under Fire?

    Recently my work on the Great Sphinx has come under fire from a self-described anti-Establishmentarian. Given the number of people who have been asking me about this latest “Sphinx theory,” I feel it is imperative that I briefly address it here.

    Robert Temple5 has proposed a moat theory (that is, the Sphinx Enclosure was purposefully filled with water such that the body of the Sphinx was submerged and sat as a statue in a small artificial lake) to explain the clear signs of water weathering and erosion on the body of the Great Sphinx and on the walls of the Sphinx Enclosure.

    Temple contends that the moat theory explains the data adequately without hypothesising that the Great Sphinx dates back to a much earlier period during which there was more rainfall than at present. (Here I will not address his hypotheses, which I do not find persuasive, that the Sphinx was the jackal [wild dog] Anubis and the face seen on the Sphinx is that of the Middle Kingdom pharaoh Amenemhet II, though I would point out that the original Sphinx has been reworked and the head has been re-carved, perhaps more than once.)

    The body of the Sphinx, carved from the bedrock, sits largely below ground level, and various moat, pool, or artificial fountain hypotheses have been suggested for the Sphinx from time to time. I considered such notions carefully as far back as my early analyses of the geology of the Sphinx, starting in 1990. In summary, such moat and related theories do not hold water (to use a bad pun) and are not compatible with the features of the actual Great Sphinx, the Sphinx Enclosure, and the general geology and palaeohydrology of the Giza Plateau.

    Scrutinising the Sphinx

    While in Egypt recently (March 2009) I made it a point to look at the Great Sphinx and Sphinx Enclosure with fresh eyes to see if there could be anything to the moat class of theories. I will summarise briefly a half dozen points.6

    1) Based on my observations and analyses, the Sphinx Temple (built out of blocks removed from the Sphinx Enclosure when the body of the Sphinx was initially carved) and the so-called Valley Temple to the south of the Sphinx Temple show clear signs of heavy precipitation-induced weathering on the limestone core blocks. These limestone temples were subsequently refurbished with Aswan granite ashlars during the Old Kingdom (as evidenced by an Old Kingdom inscription still found on a block located at the Valley Temple). The moat theory cannot explain the nature of the very ancient weathering seen under the Old Kingdom granite veneer.

    2) There is much heavier surface erosion on the western end of the Sphinx Enclosure, and the surface erosion tapers off dramatically toward the eastern end of the enclosure. This is exactly what is to be expected based on the palaeohydrology of the Giza Plateau and is incompatible with a moat theory where it is hypothesised that water was brought in from the Nile to the east. Furthermore, the nature of the surface erosion throughout the enclosure and on the body of the Sphinx is as expected if there were water running over or raining down on the rock layers. The erosion actually observed is not compatible with pooled water in the enclosure.

    3) The highest levels of the middle member strata, as seen in the Sphinx Enclosure on the western end, are most severely eroded, which is compatible with the agency of precipitation. If the moat theory were true, then the lower strata on the eastern end of the Sphinx Enclosure would be most heavily eroded (caused by water being brought in via canals from the Nile), but the opposite is seen in reality.

    4) The subsurface seismic data demonstrating the depth of weathering below the floor of the Sphinx Enclosure, based on my analyses (using areas excavated during the Old Kingdom for comparison), even when calibrated very conservatively, gives an age of initial carving for the core body of the Great Sphinx of at least 5000 BCE. More than one geological colleague has suggested to me that a more realistic calibration gives a date thousands of years earlier. And no, standing water in the Sphinx Enclosure would not accelerate the depth of weathering below the floor of the enclosure.

    5) The vertical fissures observed in the walls of the Sphinx Enclosure show diagnostic signs of having been formed by precipitation and water runoff. In my opinion, they do not show any characteristics that are diagnostic or even suggestive of having been formed by artificial dredging of the Sphinx Enclosure, as some have suggested.

    6) If the Great Sphinx actually had sat in an artificial pool or lake, either the water level around the Sphinx would have had to have been the same as that of the surrounding water table, or the walls and floor of the pool in which the Sphinx sat would have had to have been sealed up and watertight (and any artificial walls, such as on the eastern end, would have had to have been strong enough to withstand the pressure of the water). Clearly, the ancient water table was well below the level of the floor of the Sphinx Enclosure (or else the Sphinx Temple, for instance, would have been flooded). The Sphinx Enclosure, if simply carved from the bedrock (as all the evidence suggests) would not have held a deep pool of standing water. The bedrock in the enclosure is highly faulted, and characterised by a karst morphology that would leak like a sieve (another bad pun, perhaps). The enclosure would have had to have been fully sealed up (with some kind of mortar or cement, perhaps), and there is no evidence of such sealing. Furthermore, if the enclosure had been sealed in such a manner, this would not be compatible with the dredging theory for the vertical fissures mentioned in the previous point. I would also note that the chambers and tunnels under the Great Sphinx would have been flooded from above if the Great Sphinx had been sitting in a pool of water, unless the Sphinx Enclosure had been watertight; yet the evidence suggests the enclosure was not watertight.

    Could the Sphinx be Hundreds of Thousands of Years Old?

    Even as my re-dating of the Great Sphinx has been attacked as impossible by some authorities, other serious researchers have suggested that I have underestimated the true age of the oldest portions of the Great Sphinx by a factor of ten or more!

    For instance, two members of the National Academy of Sciences of Ukraine, Vjacheslav I. Manichev and Alexander G. Parkhomenko,7 citing my work, have reinterpreted the geology and erosional features on the Great Sphinx to mean that the core body of the statue could date back as far as 800,000 years ago. And they are not referring to simply a natural outcropping that may have existed 800,000 years ago that was later shaped into a statue. (Remember, too, that to carve the core body of the Sphinx huge multi-ton blocks were removed from the Sphinx Enclosure and assembled as the Sphinx Temple, so the original Sphinx Temple is as old as the core body of the Great Sphinx).

    The dating of Manichev and Parkhomenko could push the age of the Great Sphinx into a very remote time period, one that has been suggested for possible, but ambiguous, ancient structures, sculptures, or simulacra that are found in many parts of the world, such as Markawasi in Peru,8 the Romanian Sphinx,9 or a possible stone circle dubbed Adam’s Calendar by researchers Johan Heine and Michael Tellinger with a claimed date of 75,000 years ago.10 Personally, I am not convinced that the Great Sphinx is anywhere close to the age postulated by Manichev and Parkhomenko, or that various claimed very ancient, very eroded statues are anything more than natural formations, but the prospects are intriguing. Without going off on such limbs, there is clear evidence for early high culture at a remote period beyond just that of the Great Sphinx.

    Nabta Playa

    In the Sahara Desert of southern Egypt, west of Aswan, is an area known as Nabta Playa. Here an ancient stone calendar circle, as well as many other megalithic erections and structures, was identified by archaeologist Fred Wendorf (Southern Methodist University) and his team and dated to circa 4000 BCE and earlier.11 

    Thomas Brophy12 has carried out extensive analyses of Nabta. According to Brophy, three stones inside the Nabta calendar circle represent the belt of Orion (just as the three pyramids of Giza represent the belt of Orion according the research of Robert Bauval13). The stones on the Playa and the corresponding stars in the sky aligned on summer solstice nights between about 6400 BCE and 4900 BCE. Brophy found even more correlations, however. Three other stones in the Nabta calendar circle correspond to the configuration of Orion’s head and shoulders as they appeared in circa 16,500 BCE, about half a precessional cycle earlier than the previously mentioned alignment. Based on these and other analyses of monoliths in the area, Brophy concludes that the early inhabitants of Nabta Playa possessed incredibly sophisticated knowledge, the type of knowledge we associate with high culture and civilisation. Furthermore, the dates of the Nabta structures are in line with my dating of the oldest portions of the Great Sphinx, and at both Giza and Nabta the constellation of Orion (which represented the god Osiris during dynastic times) was of prime importance.

    Göbekli Tepe

    If the dating of the Great Sphinx remains controversial (after all, old ideas die hard), and the analyses of Nabta Playa are questionable in the eyes of some researchers, there is one site that even the most ensconced conventional archaeologists cannot ignore.

    In modern Turkey, just north of the border with Syria, is a site known as Göbekli Tepe that has yielded dozens of carved limestone megaliths, many of which date back to the extraordinarily early period of 9000 BCE to 10,000 BCE.14 Klaus Schmidt, of the German Archaeological Institute, has been heading an excavation team there since 1994, and there is no doubt as to the importance, authenticity, and dating (based in part on radiocarbon) of Göbekli Tepe. This is a discovery made by mainstream academics.

    Göbekli Tepe boggles the imagination on many accounts. The date is incredibly early, even earlier than my “conservative” estimate for the date of the Great Sphinx. Göbekli Tepe dates back to the end of the last Ice Age. The monolithic megaliths are in the range of two to seven metres high (the latter is the height of an unfinished megalith left where it was being quarried). Sculpted onto the surfaces of the monoliths are a variety of animals, including snakes, boars, foxes, vultures, spiders, scorpions, a centipede, and a three-dimensional figure that has been interpreted as a lion. The megaliths excavated thus far had been erected into four distinct stone circles, ranging from ten to thirty metres in diameter. Based on geophysical surveys, the entire site may cover three dozen hectares (about 90 acres) and contains another twenty or so stone circles.

    Although very different from the Great Sphinx and the Sphinx Temple, in my estimation, taking the entire Göbekli Tepe site as a whole into account, just as much effort, social organisation, and sophisticated or high culture must have been required to construct the Göbekli Tepe complex as the Sphinx complex. When I first presented my findings on the age of the Great Sphinx, I was told over and over again by mainstream archaeologists and historians that my dating was simply impossible because it was well known that nothing so elaborate and sophisticated, requiring an advanced level of social organisation, could occur so early. Göbekli Tepe proves these assertions false and helps place the Great Sphinx in a larger context.

    The work at Göbekli Tepe has literally just begun. Most of the site has yet to be excavated and who can predict what surprises might be in store for us? Who were the people that built the site, and why did they build it? So far there is no evidence that the site was inhabited; no living areas have been excavated, though the thousands of animal bones found (the most common animal represented is the aurochs, a type of extinct ox) are evidence of feasting at the site. Was it a holy, sacred site? An area for religious pilgrimages? Or perhaps an ancient centre of knowledge? My instinct is that the positions of the monoliths, and the specific carvings on their surfaces, probably encode information… but what? And what happened to the people who built and used Göbekli Tepe? Curiously, the site did not simply fall into disuse and gradually decay. It was intentionally buried somewhere around 8000 BCE. Why? The mystery only deepens.

    The Origin and Demise of Early High Culture

    There has been space here to mention only a few examples of archaeological sites that challenge the conventional view of when high culture, advanced knowledge, and civilisation arose. Admittedly, I have dwelt on those that most interest me, including the Great Sphinx with which I have become entwined. Put all the evidence together and there is no doubt in my mind that what we can term high culture existed at least 11,000 years ago (and possibly much earlier).

    Where did early civilisation originate? And what happened to it? Is there a lost primordial ancient civilisation, one that was destroyed in some cataclysmic natural catastrophe? Could the legend of Atlantis have some truth to it? These are questions I have pondered long and hard for many years.

    Being a geologist, I view Earth and our environment as unstable, full of unexpected surprises, at least over the long term. Climates change, sea levels rise and fall, volcanoes erupt, earthquakes rock the land and sea, and objects fall from the sky. I have discussed how such natural cataclysms may have influenced the history of ancient civilisations,15 and in particular I have pointed out that Earth has experienced a series of encounters with comets during historical and prehistoric times.16

    Depending on the severity of the encounter (size of the comet, whether it actually touched the surface of Earth or perhaps resulted in a mid-atmosphere explosion, and so forth), dramatic climatic changes could be affected on Earth, which in turn could affect sea levels, and weather extremes can wreck havoc on animal and human populations, causing famines.17

    In 2003 I suggested that the end of the last Ice Age may have been brought about in part by comets bombarding Earth,18 and this hypothesis has received dramatic support with physical evidence for an impact around 10,900 BCE.19 There is also evidence for impacts around 7600 BCE, 4400 BCE, 3150 BCE, 2345 BCE, 1628 BCE, 1159 BCE, 207 BCE, 536 CE, and 1178 CE.20 

    Bottom line, based on all the evidence, there is no doubt in my mind that these incidents, these cosmic catastrophes, had a profound influence on ancient civilisations. In some cases migrations were sparked, in other cases entire cultures may have been wiped out.

    At the end of the last Ice Age, from before around 18,000 BCE to perhaps 11,000 BCE or later (dates at such a far remove are approximate), when sea levels were significantly lower (by seventy-five to a hundred and twenty metres), a sub-continental expanse of land was exposed in Southeast Asia where there is now only water in the area bounded by Indochina, the Malay Archipelago, the islands of Indonesia, and Borneo. To geologists this drowned region is known as Sundaland, and there is a variety of evidence that here an early civilisation was located; they fled as the waters rose and the comets came down.21 Could this be the primordial lost civilisation that so many of us suspect once existed?

    And what about that intentional burial of the structures at Göbekli Tepe? Did they see their fate in the skies? As the comets rained down did those ancient builders do their best to cover and preserve that which they had so carefully created, perhaps hoping to return one day to uncover their monuments? Or did they leave them for us to recover?

    [alert type=”general” dismiss=”no”]This article was published in New Dawn Special Issue 8.[/alert]

    [alert type=”success” dismiss=”no”]If you appreciate this article, please consider subscribing to help maintain this website.[/alert]

    FOOTNOTES

    1. David Whitehouse, “‘Earliest Writing’ Found”, BBC News Online, 4 May 1999; John Nobel Wilford, “Who Began Writing? Many Theories, Few Answers”, The New York Times on the Web, Science, 6 April 1999.

    2. Paul Rincon, “‘Earliest Writing’ found in China”, BBC Science.

    3. Robert M. Schoch with Robert Aquinas McNally, Voices of the Rocks: A Scientist Looks at Catastrophes and Ancient Civilizations, New York: Harmony Books, 1999.

    4. Robert M. Schoch, “Redating the Great Sphinx of Giza”, KMT, A Modern Journal of Ancient Egypt, vol. 3, no. 2, pp. 52-59, 66-70 (Summer 1992); Robert M. Schoch with Robert Aquinas McNally, Voyages of the Pyramid Builders: The True Origins of the Pyramids from Lost Egypt to Ancient America, New York: Jeremy P. Tarcher/Penguin, 2003; Robert M. Schoch & Robert Aquinas McNally, Pyramid Quest: Secrets of the Great Pyramid and the Dawn of Civilization, New York: Jeremy P. Tarcher/Penguin, 2005; T.L. Dobecki & R.M. Schoch, “Seismic Investigations in the Vicinity of the Great Sphinx of Giza, Egypt”, Geoarchaeology, vol. 7, no. 6, pp. 527-544 (1992); Robert M. Schoch, “Life with the Great Sphinx: Some Personal Reflections”, Darklore, vol. 1, pp. 38-55, 291 (2007).

    5. Robert Temple, “What was the Sphinx?”, New Dawn, no. 112, pp. 47-52 (January-February 2009); Robert Temple with Olivia Temple, The Sphinx Mystery: The Forgotten Origins of the Sanctuary of Anubis, Rochester, Vermont: Inner Traditions, 2009.

    6. For more details pertaining to some of these points, as well as various comments on the criticisms of K. Lal Gauri and his colleagues as cited by Temple with Temple [2009], see Robert M. Schoch, “Geological Evidence Pertaining to the Age of the Great Sphinx”, in New Scenarios on the Evolution of the Solar System and Consequences on History of Earth and Man (Eds. Emilio Spedicato and Adalberto Notarpietro), 2002. Proceedings of the Conference, Milano and Bergamo, June 7-9th, 1999, Università degli Studi di Bergamo, Quaderni del Dipartmento di Matematica, Statistica, Informatica ed Applicazion, Serie Miscellanea, Anno 2002, N. 3, pp. 171-203.

    7. Vjacheslav I. Manichev & Alexander G. Parkhomenko, “Geological Aspect of the Problem of Dating the Great Egyptian Sphinx Construction”, in Geoarchaeology and Archaeomineralogy (Eds. R. I. Kostov, B. Gaydarska, and M. Gurova) 2008. Proceedings of the International Conference, 29-30 October 2008, Sofia, Publishing House, “St. Ivan Rilski”, Sofia, pp.308-311.

    8. Robert M. Schoch, “Introduction”, in Markawasi: Peru’s Inexplicable Stone Forest (Ed. and Author, Kathy Doore, with a foreword by Peter E. Schneider), Surprise, Arizona: Kathy Doore, 2006, pp. 14-20.

    9. Anonymous, “THE BUCEGI – Sphinx,” article dated 10 October 2002 and posted at: www.ici.ro/romania/en/turism/c_sfinx.html. Accessed 4 April 2009.

    10. Angelique Serrao, “‘Oldest Man-Made Structure’ Unearthed”, Article dated 14 July 2008 and posted at: www.iol.co.za/index.php?from=rss_South%20Africa&set_id=1&click_id=13&art_id=vn20080714062546858C113827. Accessed 4 April 2009.

    11. J. McKim Malville, “Oldest Astronomical Megalith Alignment Discovered in Southern Egypt by Science Team”, Press release dated 31 March 1998 and posted at: www.colorado.edu/news/releases/1998/101.html. Accessed 5 April 2009.

    12. Thomas G. Brophy, The Origin Map: Discovery of a Prehistoric, Megalithic, Astrophysical Map and Sculpture of the Universe (Foreword by Robert M. Schoch and Afterword by John Anthony West), New York: Writers Club Press (iUniverse), 2002; Mark H. Gaffney, “The Astronomers of Nabta Playa: New Discoveries Reveal Astonishing Pre-Historic Knowledge”, Atlantis Rising, no. 56, pp. 42-43, 68-70 (March/April 2006).

    13. Robert Bauval & Adrian Gilbert, The Orion Mystery: Unlocking the Secrets of the Pyramids, New York: Crown Trade Paperbacks, 1994.

    14. Graham Chandler (photographs by Ergun Çağatay), “The Beginning of the End for Hunter-Gatherers”, Saudi ARAMCO World, vol. 60, no. 2, pp. 2-9 (March/April 2009); Andrew Curry (photographs by Berthold Steinhilber), “The World’s First Temple? Predating Stonehenge by 6,000 years, Turkey’s Stunning Gobekli Tepe Upends the Conventional View of the Rise of Civilization”, Smithsonian, vol. 39, no. 8, pp. 54-58, 60 (November 2008).

    15. Schoch with McNally, 1999.

    16. Schoch with McNally, 2003.

    17. For a discussion of the effects of a sixth century CE cometary event, see Ker Than, “Comet smashes triggered ancient famine”, New Scientist, issue 2689, p.9 (7 January 2009).

    18. Schoch with McNally, 2003.

    19. R.B. Firestone, A. West, J.P. Kennett, L. Becker, T.E. Bunch, Z.S. Revay, P.H. Schultz, T. Belgya, D.J. Kennett, J.M. Erlandson, O.J. Dickenson, A.C. Goodyear, R.S. Harris, G.A. Howard, J.B. Kloosterman, P. Lechler, P.A. Mayewski, J. Montgomery, R. Poreda, T. Darrah, S.S. Que Hee, A.R. Smith, A. Stich, W. Topping, J.H. Wittke, and W.S. Wolbach, “Evidence for an extraterrestrial impact 12,900 years ago that contributed to the megafaunal extinctions and the Younger Dryas cooling”, Proceedings of the National Academy of Sciences, vol. 104, no. 41, pp. 16016-16021 (9 October 2007).

    20. Schoch with McNally, 2003; Undoubtedly this list is incomplete, especially for the period between 10,900 BCE and 3150 BCE.

    21. Schoch with McNally, 2003.

    © New Dawn Magazine and the respective author.
    For our reproduction notice, click here.

  • What was the Sphinx?

    What was the Sphinx?

    From New Dawn 112 (Jan-Feb 2009)

    There has never been a satisfactory answer to what the Sphinx actually is or was. Anyone who goes to Giza can see for himself or herself that there is something ‘wrong’ with the Sphinx. It only takes an instant. The body is gigantic and the head is just a pimple. The Egyptians never did anything like that, they were always meticulous about proportions in their art. So how is it that we have this monster with a tiny head sitting there in the sand, then?

    There are several other things wrong with the Sphinx. They are:

    • The back is flat. Who ever saw a lion with a flat back, no big chest, and no mane?
    • The Sphinx is sitting in a deep hole in the ground. Why is that? Why is it not sitting somewhere high up so that it can show off?
    • There is a ruined temple right in front of the Sphinx, with a wall practically up against its nose, and no door in that wall. Why obstruct the view of the Sphinx from the front like that? And if the temple was for worshipping the Sphinx, why is there no access from the temple to the Sphinx, so that you can’t even get to it?
    • The pit in which the Sphinx sits seems to be deeply eroded, as if by flows of water. What caused all that? It looks as if water has poured down the sides. On the other hand, there are no such vertical erosion patterns on the Sphinx itself, which instead has clear horizontal erosion patterns. How can these two different patterns at right angles to each other be reconciled? And what could possibly have caused either of them?

    None of this makes any sense if you think about it. Of course, many people don’t think. They just gawp and move on, their brains in neutral.

    But when my wife Olivia and I first saw the Sphinx many years ago, we just stood there in astonishment and both agreed that the whole thing was wrong, wrong, wrong.

    So now after many years of work, we think we have found some answers. Naturally, any new idea about anything that ‘everybody knows’ makes (1) conventionally thinking people enraged, and (2) makes anti-establishment people delighted. No prizes for guessing which side I’m on.

    Let me first declare my position on what has become something of an entrenched notion amongst my fellow anti-Establishmentarians. I do not believe that the Sphinx is 12,500 years old. Nor do I believe in ‘ancient rain’.

    I do believe that the Sphinx is older than conventionally believed. But I do not believe it is thousands of years older, or anything of that kind.

    I do believe there is water erosion at the Sphinx site, but I do not believe it had anything to do with ‘ancient rain’, nor do I believe there was anything there to be eroded at the time any ‘ancient rain’ fell.

    So what is the answer, then?

    Sphinx Island & Moat

    The water of the Nile in those days, at the time of inundation once a year (which no longer happens because of the Aswan dam), came right up to the edge of the Sphinx Temple, where there are even quays in front. So what I believe happened was that the water of the Nile was let into the Sphinx Pit, which I now call the Sphinx Moat, by some simple water-raising devices, led along the narrow channel between the Sphinx Temple and the Valley Temple (the two structures in front of the Sphinx), and its flow was controlled by a series of sluices and water gates. The signs of these sluices and gates, with their many bolt holes and so forth, no longer exist, because new stones and cement have been laid over them. But not to worry! I took plenty of photographs of them before they disappeared, and those are all reproduced in our book. Everyone can then see it all very clearly. The reason why the temple wall is in front of the Sphinx is to act as the fourth barrier to the water. The reason why there is no door in the wall is that it would have let the water out.

    The horizontal erosion on the side of the Sphinx (where it is not covered by ‘restoration stones’) is because the Sphinx was sitting in the middle of a moat filled with water. The vertical erosion on the sides of the pit, especially the south side, is because of the continual dredging of the Moat due to the windblown sand accumulating there. Every time the Moat was dredged, water poured down in torrents onto the sides, leading to vertical erosion, accentuated by the natural cavities in the limestone bedrock.

    So I think the Sphinx was, amongst other things, an island!

    This immediately solves the puzzle of the evidence recorded by the fifth century BCE Greek historian Herodotus, who said that King Cheops let water in from the Nile to surround an island at Giza. Here it is!

    Whose Head is on the Sphinx?

    So we have got an island. Now what do we do with it? And why is King Cheops’s head the size of a pimple on the front of this large flat-backed lion, surrounded by water? What’s going on?

    But wait! Who says that is King Cheops’s head? Some say it is King Chephren’s head, but if you have ever seen Chephren’s head on that huge statue in the Cairo Museum, you know they look nothing alike at all, since Chephren has a long face and the Sphinx has a round face, just for starters, and there’s plenty else that’s not the same too.

    At this point of my wonderings, I began to feel really uncomfortable. I generally know when something doesn’t fit. I may not know what does fit, but I more often know what does not.

    And that face is neither Cheops (not that we know what he really looked like anyway, as the only likeness of him that survives is a three inch-high ivory statuette, which could be your Uncle Tony or even your Auntie Madge for that matter) nor old Chephren Long-Face. So who is it?

    It was at this point that I discovered one of those forgotten sources which keep falling into my lap, and in this case it was an article written by a German archaeologist named Ludwig Borchardt long before the Sphinx was excavated, when only its head and neck were sticking above the sand. Borchardt used to go and stand there and look at it. In those days, you could look the Sphinx in the eye and he wouldn’t even flinch, in fact he smiled back. Nowadays, he’s very stuck up, with his head high above us if we stand at his feet, so you can’t make out the details of his head all that well.

    Borchardt got to thinking. He noticed that the Sphinx was wearing eye-paint stripes (no comment, pharaohs have the right to do what they like as consenting adults in the privacy of their own Sphinx Pits), and he knew that those were not worn in the period known as the Old Kingdom, when Cheops and Chephren lived. He noticed the details of the stripe patterns in the strange headdress worn by the Sphinx. The face had to be that of a pharaoh, since this headdress was the sacred religious headdress of the pharaoh known as a nemes. But Borchardt, who was head of the German Institute at Cairo and therefore knew a thing or two, realised that those stripe patterns were also not used in the Old Kingdom.

    He started to do some research on nemes headdresses, and he discovered that those particular stripe patterns were only used in the Middle Kingdom period, hundreds of years later than Cheops and Chephren. He wrote this all up in technical form and published it in a distinguished scholarly periodical (in German of course, but I have translated it and it appears as an appendix to our book), and concluded that the Sphinx had been carved in the Middle Kingdom Period, not in the Old Kingdom period.

    But everybody laughed at poor old Borchardt. Who ever heard of such a thing? The Middle Kingdom! Borchardt must have gone crazy! And then the Sphinx was excavated in 1926, and finally completely excavated in 1936, and it was perfectly clear to everyone that the Sphinx was much older than the Middle Kingdom. But everybody forgot that Borchardt had never seen the Sphinx’s body at the time he wrote the article, he was only talking about the head.

    So I have reopened the case and concluded that the head was recarved in the Middle Kingdom, just as Borchardt said, and what is more, I believe I can even identify precisely which pharaoh’s face that is. Of course, to find that out, you really need to see the book.

    However, it is all very well identifying the face on the Sphinx. Some people might be satisfied just doing that. But no, it’s like watching a film noir without knowing the ending. Even if you know whodunnit, you still want to know the motive.

    “Everybody knows” Herd Mentality

    So what was the Sphinx before it had that guy’s face carved on it? Well, to figure that one out you have to try to figure out what the Sphinx was before that pharaoh got his chisels on it. This draws one’s attention to the flat back. “Everybody knows” that the Sphinx has the body of a lion. As soon as I hear that “everybody knows” something, I know that it must be wrong. I have a pathologically anti-herd mentality. All you have to do is tell me “everybody knows” something, and I will instantly disbelieve it. That is because crowds are always wrong. Crowds have about as much sense as a mollusc.

    I started from the premise that the Sphinx was not a lion at all. Millions of people see it every year, from all over the world, and they all “know” that it is a lion. So that means that it cannot possibly be one. They “know” it is a lion because they have been told that it is a lion. The Germans were told that Hitler was their saviour and so they “knew” it, the Russians all “knew” that Stalin was like a gentle father, who would look after them. Yes, everybody, or at least everybody they knew, “knew” these things. And people also all once “knew” that the Earth was flat, and that the Sun went round the Earth. Those things were all “known.” But were they true?

    If it wasn’t a lion, what was it? Well, it had to be an animal with a straight back, with no huge chest, and no mane. It also had to be an animal that crouched like that with its legs stuck out in front of it. (There is no use looking too closely at the paws, as they are completely covered in restoration stones, and have been shaped to look like “what everybody knows,” in order to re-confirm the consensus falsehood which everybody has agreed to believe in.)

    Anubis – Guardian of the Necropolis

    The Sphinx is crouching there at the entrance to the Necropolis like a guardian. Well, there it is! It is a guard dog! The ancient Egyptians had a god called Anubis, who was a crouching wild dog, generally referred to as a jackal (although strictly speaking there were no jackals in Egypt, and Anubis was really a wild dog species which is now extinct). Anubis was the guardian of the Necropolis, the guardian of the dead, and he was often depicted in the precise position of the Sphinx – and famously in a statue found in the Tomb of Tutankhamun as well – so that his image is familiar to almost anyone who has ever had an interest in ancient Egypt.

    Anubis001

    In Figure 1 I show the drawing I commissioned which shows how the recarved head of the Sphinx was carved out of the neck stump which remained on the Sphinx after the original statue was mutilated by the rampaging mobs who smashed up everything they could on the Giza Plateau during the period of chaos known as the First Intermediate Period, between 2200 and 2000 BCE.

    It was the easiest thing in the world to knock the ears and nose off the Sphinx when the Sphinx was Anubis. You couldn’t put them back because the Sphinx was carved out of the solid bedrock, and the pieces must have been smashed to bits anyway. So the later exhibitionist pharaoh could even tell himself he was doing a pious act and ‘restoring’ the statue by flaunting himself, just as, say, Madonna helps the world, doesn’t she? Tom Cruise is also saving the world, remember? Yes, we all know that all celebrities are getting their pictures in the papers only for noble causes, and it has nothing to do with wanting people to look at them, or with such a low thing as vanity.

    Speaking of movie stars, the Sphinx is now so botoxed and has had so much plastic surgery from crazy ‘restoration’ (which is all shown in great detail in our book) that he could easily get a lead part in a blockbuster. But his ‘nose job’ didn’t go so well, as it is still missing. It was hacked off in the 13th century by a fanatical imam named Sheikh Mohammed, who wished to purge Egypt of non-Islamic influences. He got as far as the nose, at least. (The story that the nose was shot off by Napoleon’s soldiers is false.)

    So now we have a crouching Anubis as an island, surrounded by a little lake. And at last we have something which students of the ancient texts can suddenly recognise. For the most ancient surviving Egyptian texts, known as the Pyramid Texts, often speak of a sacred place associated with the Giza Necropolis called Jackal Lake. And here it is!

    Now we are getting somewhere. It is all beginning to make sense. In our book we gather together the many ancient texts which refer to Anubis guarding the Necropolis, situated at Giza, being beside a causeway, and being very large. We also reproduce Fourth Dynasty Giza tomb reliefs showing a giant Anubis, which may be intended as actual depictions of the Sphinx.

    Secret Chamber Beneath the Sphinx

    Most people who are intrigued by Egyptian mysteries have been wondering for a long time whether there might be any secret chamber beneath the Sphinx. I have crawled around inside the Sphinx, and I describe the tunnel which exists in the rear portion of the Sphinx’s body, as well as the vertical tunnel carved out of the bedrock beneath the Sphinx’s rump, and reproduce photos of these. In Figure 2 you see a photo which Olivia took of me with my head sticking out of the Sphinx’s ass, which perhaps proves how well I know him.

    Temple001

    Then an amazing thing happened. I came across a passage in one of the old books which I collect, in this case one published in 1715, which described a chamber beneath the Sphinx and gave an eyewitness account of it! I was astounded. The book referred to earlier accounts of this chamber, but neglected to say who had written them or when they had been published. Slight problem! How was I to find these books?

    If you went into the British Library and told a librarian you needed a book published before 1715 which described a chamber beneath the Sphinx, you would be told to come back when you had the author’s name or the title of the book. All I had to go on was ‘a book mentioning the Sphinx before 1715’, so how did I do it?

    That is where my special abilities come in, which enable me to obtain information which others seem not able to obtain. I am what you might call an information retrieval expert, and I do not need to know anything about the field in order to obtain its ‘concealed’ information. There is no such thing as concealed or destroyed information: it is all there in Information Space if you have access. Everyone knows about the emails which people think they have deleted from our computers, but which can be recovered by computer data recovery experts (as part of a criminal investigation, for instance). Well, there is a higher version of that, which enables all information which has ever existed in any material form to be accessed from the wholly non-material realm of Information Space.

    Unfortunately, I have never met anyone who seems to be able to access this material methodically and systematically. Most human beings can access it in a feeble and flickering fashion, by means of what is called ‘intuition’ or ‘hunches’. Perhaps it is just as well that proper access to all this information is limited. After all, the purpose of our being here in the material world is to see how we cope without information. That is why people like myself find it so difficult to communicate what we know when we somehow, in a way we do not understand, acquire information from Information Space. It is mostly not intended for circulation, and maybe I should not even be doing it. When I reveal such information to people, they never believe me anyway, so I generally do not bother.

    I cannot explain how I access it. I seem to ‘see through matter’ in some way which is difficult to describe, and I see the Information behind it on the other side. Matter becomes increasingly transparent to me every day anyway, and I no longer believe in it. On only one occasion was I so desperate that I ‘raped’ Information Space. That was when our beloved dog Kim was mistakenly locked in a room with a digital security code. Because she was old and ill and needed water, and might otherwise die before I could get someone with the code to come, I ‘accessed’ the numerical code, punched it in, the door opened, and I released her. I didn’t do it instantly. I first made two or three hysterical wrong attempts and wasted precious minutes through being over-stressed. I made myself try to remain calm and then got it right. This meant that I actually had to access the whole number of several digits, none of which was known to me. Really, we are not supposed to do this sort of thing, but my dog was more important to me than protocol.

    Also important to me is a Larger Dog, the Sphinx! I feel almost as affectionate towards him as I did… well, no, that would not be fair to Kim. But I also like the Dog Star. In fact, I am a sucker for dogs, I really am. I am not a cat person, even though I am a great fan of the original version of the film ‘Cat People’ (1942). Watch it sometime! See my review of it on my website.

    I was eventually able to find 281 years’ worth of published eyewitness accounts of the chamber beneath the Sphinx, including detailed information about exactly where it was, its size, and the fact that it contained the remains of a wooden coffin. Because the chamber was described as having hieroglyphics on the walls, I am certain that it was what archaeologists call ‘an intruded burial’, but it must have been a royal one, as a shaft was carefully constructed and a chamber cut in one of the most important monuments in Egypt, within the sacred precincts of the royal Necropolis. The shaft was sealed with cement by Émile Baraize in 1926. A century earlier, Henry Salt also sealed some openings and passages elsewhere at the Sphinx, and was sharply criticised for it by the French Count de Forbin. All of this is described in full detail in our book. So, yes, there is a ‘secret chamber’ beneath the Sphinx. And the information in our book proves this beyond all possibility of doubt. But no, it is not original and does not date from the time of the Sphinx’s carving. Also, it is empty, so there is no gold or treasure. But if we could just read what it says on the walls!

    Another thing I was able to demonstrate is that the Sphinx and the three Giza pyramids were part of a single unified design concept of the Giza Plateau. The position and size of the Sphinx is determined precisely in relation to the three pyramids, in a manner never before noticed. This is shown and explained at great length in the book, and it is not really possible to summarise that material, as it is too lengthy and detailed for a brief description. I can say, however, that it was part of a resurrection cult. In the process of explaining this in detail, I even have occasion to explain the true nature of those bizarre reliefs in a crypt at Denderah which have excited a great deal of speculation, the ones with the ‘lightbulbs’, although they are 2,500 years more recent, and their only connection is through the symbolism.

    I hope everybody will get a lot out of looking through our book, and, who knows, maybe even reading it. Stranger things have happened.

    Oh yes, I almost forgot: ‘Woof! Woof!’

    [alert type=”general” dismiss=”no”]This article was published in New Dawn 112.[/alert]

    [alert type=”success” dismiss=”no”]If you appreciate this article, please consider subscribing to help maintain this website.[/alert]

    © New Dawn Magazine and the respective author.
    For our reproduction notice, click here.